La musique est un moyen pour tout un chacun de se connecter à sa propre créativité et de s’ouvrir à sa voix intérieure, son vrai moi et à son chemin unique.
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Née en Asie Centrale et ayant grandi en Europe, je me dévoue à cultiver la curiosité et je suis convaincue que personne n’a jamais fini d’apprendre.
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Dans une société en constante évolution ma meilleure réponse à été de garder l’esprit ouvert à la rencontre et découverte. C’est pourquoi je développe des projets qui allient musique contemporaine et électronique.
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Blog – Articles les plus récents
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Bass flute improv – the sounds I like to use
This time of Coronavirus was not entirely bad for me because I had the possibility to see my family every day and to focus on my deepest human and artistic values. I was also blessed with loads of personal time that I used to research different creative possibilities online. My fellow musicians and sound artists … Lire la suite de Bass flute improv – the sounds I like to use
Top 3 of my latest flute and electronics discoveries (with links to scores)
Sçir | Horracio Vaggione for Bass Flute and tape, 1988 . Horracio Vaggione is an Argentinian composer and music theorist. Born in 1943, he studied and worked in Argentina, USA, where he first got interested in computers and electronics, then in Spain and France, where he still resides. From 1987 to 1988 he did a … Lire la suite de Top 3 of my latest flute and electronics discoveries (with links to scores)
Five reasons to fall in love with contemporary flute repertoire
Hi, my name is Renata Kambarova, I am a classically trained flutist and I play mostly contemporary repertoire. I didn’t always wanted to specialize in new music and I didn’t always liked Pierrot Lunaire or Gérard Grisey’s Vortex Temporum, and now they are in my « big old classics » list. Today I wanted to share with … Lire la suite de Five reasons to fall in love with contemporary flute repertoire
